Folger Consort is recognized nationwide as a model chamber music ensemble, performing music from the twelfth through eighteenth centuries. Artistic Directors and Founding Members Robert Eisenstein and Christopher Kendall form the core of the ensemble and are joined by internationally noted guest artists, both singers and instrumentalists.
Folger Consort's 2009/10 Season: Circa 1610
Four hundred years ago people found themselves in a world transformed by innovations in science, ideas, and the arts. As Galileo revolutionized views of the cosmos with his telescope, adventurous artists created “brave new worlds” with their music. For this season of concerts, the Folger Consort explores spirited and innovative music circa 1610.
Subscriptions are now on sale. Visit www.folger.edu/consortsub or call 202.544.7077 to subscribe today!
Robert Eisenstein, violin, viol, recorder, founding member and program director of the Folger Consort. In addition to his work with the Consort, he is the director of the Five College Early Music Program in western Massachusetts, where he teaches music history, performs regularly on viola da gamba, violin, and medieval fiddle, and coordinates and directs student performances of medieval, Renaissance, and Baroque music. He is an active participant in Five College Medieval Studies with a particular interest in the use of computer technology in the service of music.
Eisenstein has performed with many ensembles including the Washington Bach Consort, the Newberry Consort, the National Symphony, Western Wind, and recently at Tanglewood, Amherst Early Music, and other summer festivals. He studied viola da gamba with Judith Davidoff and Richard Taruskin.
Christopher Kendall, lute, vihuela, Renaissance guitar, theorbo, is the founder of the Folger Consort, which emerged as a significant and enduring presence on the DC cultural scene in 1977. Since 2005, he is Dean of the School of Music, Theatre & Dance at the University of Michigan in Ann Arbor where he has launched a university-wide initiative recognizing the fundamental role of the all the arts in the human condition and in human culture called "Arts on Earth ."
From 1996 to 2005, he was Director of the School of Music at the University of Maryland, during a period of significant institutional growth related to the building of the Clarice Smith Performing Arts Center. Associate Conductor of the Seattle Symphony from 1987 to 1992 and Director of the Music Division and Tanglewood Institute of the Boston University School for the Arts from 1993 to 1996, Kendall is also Artistic Director, founder and conductor of the 21st Century Consort, new music ensemble-in-residence at the Smithsonian Institution.
Kendall has guest conducted many professional orchestras and ensembles from San Francisco to New York, in repertoire from the 18th to the 21st centuries. His recordings can be heard on the Bard, Delos, Nonesuch, Centaur, ASV, Arabesque, Innova, and Smithsonian Collection labels.
Folger Consort recordings are distributed nationwide by Albany Music Distributors (800.752.1951) and are also available for digital download at iTunes and CDBaby.com
Our 2008–2009 Season, MEDITERRANEAN NOTES, featured Early Music from Italy, Spain, France, and Cyprus. The season is now over but you can still read all about it in Notes from the Directors plus download a musical sampler by clicking on the links under Additional Information to the right.
