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Praised by The New York Times for her “Radiant Sweetness”, soprano Molly Quinn delights audiences with her thoughtful interpretations of the Baroque repertoire. She has collaborated with many celebrated conductors and ensembles, including TENET, Andrew Parrott, Kent Tritle, Scott Metcalfe, New York Polyphony, Clarion Music Society and Seraphic Fire. In addition to her work in Early Music, Miss Quinn has been featured as part of the Ecstatic Music Festival at Merkin Hall, and with the New York Summer Mahler Project’s presentation of the fourth symphony. Miss Quinn traveled with the Mark Morris Dance Company to Moscow as part of their legendary production Dido and Aeneas. Miss Quinn is a member of the Trinity Choir, and can be seen throughout their concert season, including Messiah at Alice Tully Hall. Other upcoming engagements include the role of Second Woman in Dido and Aeneas with the Grammy nominated Seraphic Fire, and The Green Mountain Project’s annual presentation of Monteverdi’s Vespers of 1610. She also returns to St Thomas Fifth Avenue for Couperin’s Leçons des Tenebres. Miss Quinn is a native of Chapel Hill North Carolina, and completed both her Bachelors and Masters Degrees in Vocal Performance at the Cincinnati College Conservatory of Music.