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Winter 2008

Winter 2008

Volume 59, Number 4




The First Literary Hamlet and the Commonplacing of Professional PlaysAbstract

Zachary Lesser and Peter Stallybrass
"O teach me how to make mine own excuse": Forensice Performance in LucreceAbstract

William P. Weaver

Eclipse of Action: Hamlet and the Political Economy of PlayingAbstract

Richard Halpern



Jonathan Bate and Eric Rasmussen, eds.The RSC Shakespeare. William Shakespeare Complete Works.

Anthony B. Dawson


Katherine Duncan-Jones and H. R. Woudhuysen, eds. The Arden Shakespeare. Shakespeare's Poems.

Heather Dubrow


Dympna Callaghan.Shakespeare's Sonnets.

Jyotsna G. Singh


Robert L. Montgomery. The Perfect Ceremony of Love's Rite: Shakespeare's Sonnets and "A Lover's Complaint."

Anne Lake Prescott


Penelope Freedman. Power and Passion in Shakespeare's Pronouns:"Interrogating "You" and "Thou."

Jonathan Hope


Ira Clark. Rhetorical Readings, Dark Comedies, and Shakespeare's Problem Plays.

Bruce Danner


Peter Holland, ed. Shakespeare, Memory, and Performance.

Alexander C. Y. Huang


Tzachi Zamir. Double Vision: Moral Philosophy and Shakespearean Drama.

Richard Strier


David N. Beauregard. Catholic Theology in Shakespeare's Plays.

Hannibal Hamlin


Ellen Spolsky. Word vs Image: Cognitive Hunger in Shakespeare's England.

Bruce R. Smith


Stephen O'Neill. Staging Ireland: Representations in Shakespeare and Renaissance Drama.

Jean Feerick


Mary Ellen Lamb. The Popular Culture of Shakespeare, Spenser, and Jonson.

Skiles Howard


Michael Witmore. Pretty Creatures: Children and Fiction in the English Renaissance.

Gina Bloom


Richard Wilson. Shakespeare in French Theory: King of Shadows.

David Hawkes


Stephen Cohen. Shakespeare and Historical Formalism.

Scott L. Newstok

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