Volume 59, Number 4
The First Literary Hamlet and the Commonplacing of Professional PlaysAbstract
Zachary Lesser and Peter Stallybrass
"O teach me how to make mine own excuse": Forensice Performance in LucreceAbstract
William P. Weaver
Eclipse of Action: Hamlet and the Political Economy of PlayingAbstract
Jonathan Bate and Eric Rasmussen, eds.The RSC Shakespeare. William Shakespeare Complete Works.
Anthony B. Dawson
Katherine Duncan-Jones and H. R. Woudhuysen, eds. The Arden Shakespeare. Shakespeare's Poems.
Dympna Callaghan.Shakespeare's Sonnets.
Jyotsna G. Singh
Robert L. Montgomery. The Perfect Ceremony of Love's Rite: Shakespeare's Sonnets and "A Lover's Complaint."
Anne Lake Prescott
Penelope Freedman. Power and Passion in Shakespeare's Pronouns:"Interrogating "You" and "Thou."
Ira Clark. Rhetorical Readings, Dark Comedies, and Shakespeare's Problem Plays.
Peter Holland, ed. Shakespeare, Memory, and Performance.
Alexander C. Y. Huang
Tzachi Zamir. Double Vision: Moral Philosophy and Shakespearean Drama.
David N. Beauregard. Catholic Theology in Shakespeare's Plays.
Ellen Spolsky. Word vs Image: Cognitive Hunger in Shakespeare's England.
Bruce R. Smith
Stephen O'Neill. Staging Ireland: Representations in Shakespeare and Renaissance Drama.
Mary Ellen Lamb. The Popular Culture of Shakespeare, Spenser, and Jonson.
Michael Witmore. Pretty Creatures: Children and Fiction in the English Renaissance.
Richard Wilson. Shakespeare in French Theory: King of Shadows.
Stephen Cohen. Shakespeare and Historical Formalism.
Scott L. Newstok