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Winter 2010



Winter 2010

Volume 61, Number 4


 

ARTICLES

 

What’s So Special about 1594?

Abstract

Roslyn L. Knutson


 

Venues on the Verges: London’s Theater Government between 1594 and 1614.

Abstract

Andrew Gurr


 

The Meaning of Success: Stories of 1594 and its Aftermath

Abstract

Holger Schott Syme


 

Staging on the Road, 1586–1594: A New Look at Some Old Assumptions

Abstract

Leslie Thomson


 

Johannes fac Totum’?: Shakespeare’s First Contact with the Acting Companies

Abstract

Bart van Es


 

BOOK REVIEWS

 

Gary Logan. The Eloquent Shakespeare: A Pronouncing Dictionary for the Complete Dramatic Works with Notes to Untie the Modern Tongue.

Katharine A. Craik

 

John Jowett. Shakespeare and Text.

Andrew Murphy

 

Paul Yachnin and Jessica Slights, ed. Shakespeare and Character: Theory, History, Performance and Theatrical Persons.

Christy Desmet

 

David Bevington. This Wide and Universal Theater: Shakepeare in Performance, Then and Now.

John Ripley

 

Helen Ostovich, Holger Schott Syme, and Andrew Griffin. Locating the Queen's Men, 1583-1603: Material Practices and Conditions of Playing.

Sally-Beth MacLean

 

Tiffany Stern. Documents of Performance in Early Modern England.

C. E. McGee

 

Robert Hornback. The English Clown Tradition from the Middle Ages to Shakespeare.

Grace Tiffany

 

Michelle M. Dowd. Women's Work in Early Modern English Literature and Culture.

Judith Weil. Service and Dependency in Shakespeare's Plays.

Pamela Allen Brown

 

Tom Rutter. Work and Play on the Shakespearean Stage.

Michelle M. Dowd

 

Jyotsna G. Singh, ed. A Companion to the Global Renaissance: English Literature and the Culture in the Era of Expansion.

Natasha Distiller

 

Barbara Sebek and Stephen Deng, eds. Global Traffic: Discourses and Practices of Trade in English Literature and Culture from 1550 to 1700.

Linda Woodbridge

 

Valerie Forman. Tragicomic Redemptions: Global Economics and the Early Modern English Stage.

Aaron Kitch

 

 





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