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Photo Gallery: Collection Highlights

Acquisitions During Gail Paster's Directorship
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Under Gail Paster's leadership—she first encountered the Folger collection as a doctoral student researching her thesis—new acquisitions have reached their highest level in the library’s history. Among the more than 14,000 new additions are a 16th-century manuscript on magic that completed a grimoire already in the collection; a copy of Martial’s epigrams (Paris, 1617), owned and annotated by Ben Jonson; a rare bird’s-eye etching of London (ca. 1660) by Wenceslaus Hollar; the only broadside inciting the 1849 Astor Place riot known to survive; James Northcote’s 18th-century painting, Romeo and Juliet, act V, scene III: Monument Belonging to the Capulets; and watercolor costume designs for Derek Jarman’s 1979 film, The Tempest.
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James Northcote. Romeo and Juliet, act V, scene III. Oil on canvas, ca. 1790
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Writing tables bound in finely worked silver filigree. Manuscript, late 17th century
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Book of magic: with instructions for invoking spirits, etc. Manuscript, ca. 1580
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The Compleat Royal Jester. London, 1696
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Yolanda Sonnabend. Costume design of Sprite for Derek Jarman’s The Tempest. Watercolor, 1979
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Bible. English. Authorized. 1676. London, 1676
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Wenceslaus Hollar. Bird’s-eye plan of the west central district of London. London, ca. 1660
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Charles Williams. Theatrical jealousy, or, the rival queens of Covent Garden. Print, 1816
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Theodor Meurer. Relationis historicæ continvatio… Frankfurt, 1607
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Francesco Bartolozzi after Henry William Bunbury. Wynnstay Theatre. Print, 1785
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Chaucer. Works. 1550. London, 1550
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Working men, shall Americans or English rule! in this city? New York, 1849
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