Fall 2011
Volume 62, Number 3
ARTICLES
Intoxicating Rhythms; Or, Shakespeare, Literary Drama, and Performance (Studies)
Abstract
W.B. Worthen
The Morals of Macbeth and Peace as Process: Aadapting Shakespeare in Northern Ireland's Maximum Security Prison
Abstract
Ramona Wray
Performing Oblivion / Enacting Remembrance: The Merchant of Venice in West Germany, 1945 to 1961
Abstract
Zeno Ackermann
Shakespeare and Contemporary Latin American Cinema
Abstract
Mark Thornton Burnett
Performing Prophecy: More Life on the Shakespearean Scene
Abstract
Daniel L. Keegan
A Season in Intercultural Limbo: Ninagawa Yukio's Doctor Faustus, Theatre Cocoon, Tokyo
Abstract
Todd A. Borlik
Rethinking Academic Reviewing: A Conversation with Michael Dobson, Peter Holland, Katherine Rowe, Christian Billing, and Carolyn Sale
Sarah Werner
BOOK REVIEWS
Brian Walsh.Shakespeare, the Queen's Men, and the Elizabethan Performance of History.
Sally-Beth Maclean
Jean E. Howard.Theater of a City: The Places of London Comedy, 1598-1642.
Lars Engle
Gina Bloom.Voice in Motion: Staging Gender, Shaping Sound.
Leslie Dunn
Erica Sheen.Shakespeare and the Institution of Theatre: "The Best in This Kind".
Gretchen E. Minton
Judith Buchanan.Shakespeare on Silent Film: An Excellent Dumb Discourse.
Anthony R. Guneratne
Sarah Hatchuel and Nathalie Vienne-Guerrin, eds.Shakespeare on Screen: The Henriad.
Michael Anderegg