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Fall 2011



Fall 2011

Volume 62, Number 3


 

ARTICLES

 

Intoxicating Rhythms; Or, Shakespeare, Literary Drama, and Performance (Studies)

Abstract

W.B. Worthen


 

The Morals of Macbeth and Peace as Process: Aadapting Shakespeare in Northern Ireland's Maximum Security Prison

Abstract

Ramona Wray


 

Performing Oblivion / Enacting Remembrance: The Merchant of Venice in West Germany, 1945 to 1961

Abstract

Zeno Ackermann


 

Shakespeare and Contemporary Latin American Cinema

Abstract

Mark Thornton Burnett


 

Performing Prophecy: More Life on the Shakespearean Scene

Abstract

Daniel L. Keegan


 

A Season in Intercultural Limbo: Ninagawa Yukio's Doctor Faustus, Theatre Cocoon, Tokyo

Abstract

Todd A. Borlik


 

Rethinking Academic Reviewing: A Conversation with Michael Dobson, Peter Holland, Katherine Rowe, Christian Billing, and Carolyn Sale

Sarah Werner


 

 

BOOK REVIEWS

 

Brian Walsh.Shakespeare, the Queen's Men, and the Elizabethan Performance of History.

Sally-Beth Maclean

 

Jean E. Howard.Theater of a City: The Places of London Comedy, 1598-1642.

Lars Engle

 

Gina Bloom.Voice in Motion: Staging Gender, Shaping Sound.

Leslie Dunn

 

Erica Sheen.Shakespeare and the Institution of Theatre: "The Best in This Kind".

Gretchen E. Minton

 

Judith Buchanan.Shakespeare on Silent Film: An Excellent Dumb Discourse.

Anthony R. Guneratne

 

Sarah Hatchuel and Nathalie Vienne-Guerrin, eds.Shakespeare on Screen: The Henriad.

Michael Anderegg

 

 





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