The Shakespeare & Beyond blog features a wide range of Shakespeare-related topics: the early modern period in which he lived, the ways his plays have been interpreted and staged over the past four centuries, the enduring power of his characters and language, and more.
Shakespeare & Beyond also explores the topics that shape our experience of Shakespeare today: trends in performance, the latest discoveries and scholarship, news stories, pop culture, interesting books, new movies, the rich context of theater and literary history, and more. As the word “beyond” suggests, from time to time Shakespeare & Beyond also covers topics that are not directly linked to Shakespeare.
Challenge yourself with our haunting quiz about the phantoms and apparitions in Shakespeare’s plays and how they are portrayed, from Banquo’s ghost in Macbeth to Hamlet’s father’s Ghost, and many more.
Two new productions, Al Letson’s Julius X and the Q Brothers Collective’s Rome Sweet Rome, explore contemporary themes of political upheaval and personal betrayal while illuminating aspects of Shakespeare’s Julius Caesar we might have missed.
Scholar Carla Della Gatta looks at the growth of Latinx-inspired Shakespeare productions in the US beginning with West Side Story on Broadway in 1957. She finds the performances as richly diverse in form as they are in content.
Ansel shares how her questions as an artist fellow about Fuseli’s take on Shakespeare’s Macbeth inspired her to create two abstract, large-scale oil paintings but this time from a woman’s perspective that celebrates the play’s sisterhood.
The first track on Taylor Swift’s new album, The Life of a Showgirl, is “The Fate of Ophelia.” Refresh your memory about Hamlet’s ingenue and why we can’t stop writing, painting, and singing about her.
Al Letson’s play Julius X acts as a sort of Venn diagram that allows us to twice witness a familiar text (Julius Caesar), with a harsh and violent moment of American history that marked a significant contest waged by Black Americans for freedom and equality.
Imagining Shakespeare and Marlowe as collaborators
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Following the extraordinary success of Tamburlaine, might the theatrical impresario Philip Henslowe have brought Marlowe together with Shakespeare to write about the Wars of the Roses? An excerpt from Dark Renaissance by Stephen Greenblatt.
A round-up of stories about Shakespeare in the news this month—a September issue of our own—with discoveries about miniature portraits, Emma Smith’s webinar series, reading recs for kids, and ad parodies from Improvised Shakespeare.
The Improvised Shakespeare Company has been creating hilarious Shakespearean masterpieces—from an audience suggestion of a title of a show that has never been written—for 20 years. Austin Tichenor shares how they do it.
Carla Della Gatta looks at the extraordinary mix of Latinx-inspired productions and adaptations performed on stages, large and small, across the United States.
Discover books, costume sketches, and theatrical props for Shakespeare’s Julius Caesar in the Folger collection along with items from Folger Theatre’s production of Al Letson’s Julius X: A Re-envisioning of The Tragedy of Julius Caesar by William Shakespeare.
A century after Shakespeare’s death, the Shakespeare Ladies Club ensured his original plays were not forgotten. The quarter discussed his plays, convinced theaters to produce them, and even campaigned for his statue in Westminster Abbey.
