Folger Collections
Collection Connections: 'You Dreamed of Empires'
We revisit Victoria M. Muñoz’s November 2025 presentation as part of our Folger Book Club discussion of Álvaro Enrigue’s You Dreamed of Empires.
Miscellaneous Race
Looking at enslaved Black workers and the 1588 Spanish Armada’s afterlives in a 17th-century English miscellany
Collection Connections: 'A Haunting on the Hill'
We revisit Johnna Champion’s October 2025 presentation as part of our Folger Book Club discussion of Elizabeth Hand’s A Haunting on the Hill.
Artist Elise Ansel Reimagines Macbeth
Ansel shares how her questions as an artist fellow about Fuseli’s take on Shakespeare’s Macbeth inspired her to create two abstract, large-scale oil paintings but this time from a woman’s perspective that celebrates the play’s sisterhood.
A Closer Look at Paste Papers with Folger Conservators
Have you ever noticed a decorated paper on a volume in our collection and wondered how it was made?
Dots and Slashes in Early Modern English Account Books: A Window into the Material Practices of Reckoning
The solution to this month’s Folger Mystery reveals the purpose of dots and slashes drawn in early modern account books
Beyond National Boundaries: A Season of New Acquisitions, Part II
More new exciting additions to the Folger collection!
Folger Finds: Women and Shakespeare
Explore First Folios owned by two 17th-century women, a prop dagger used by a leading actress of the late 19th century, and scripts and programs from a 20th-century women’s theater in Japan that’s still performing Shakespeare today.
Beyond National Boundaries: A Season of New Acquisitions, Part I
Caroline Duroselle-Melish, Curator of Early Modern Books and Prints, highlights some exciting new items in the Folger collection
North Africa Through the Eyes of England
A look at some of the colonial sources that informed the understanding that 17th century English people had of North Africa.
Conservation Interns at Work
Conservation interns from the Folger and Library of Congress share their experience working across both institutions to learn new techniques for treating materials and for preparing materials for exhibition.
“I have lately been promoted to the ‘big douche’”
Through her correspondence, Delia Salter Bacon reveals what it was like to undergo a 19th century “water-cure”