
Booking and details
Dates Thu, Oct 16, 2025 at 4:30pm
Venue Great Hall
Tickets Free; no ticket required
Black experience in the Dominican Republic. The Salem Witch Trials in contemporary imagination. Reclaiming Coahuiltecan cultural heritage through research, theatre, and music.
Interested? Join us for the next Folger Salon.
About Folger Salon
Learn about research happening at the Folger in real time! Each month, Folger Institute scholar and artist fellows will share their most exciting finds and thought-provoking challenges, followed by casual open conversation. Arrive early to purchase food and drink from the Folger’s new café, Quill & Crumb.
This is a free event. Seating is limited and available on a first-come, first-served basis.
Speakers

Ruth Pión
2025-26 Artistic Research Fellow
HISTORICAL MAROONAGE: Decolonizing space, memory, and heritage
Historical Maroonage addresses the silencing of the Black experience in the Dominican Republic, where Eurocentrism and racism plague spaces of memory and the historical narratives that inform them. Through a publicly engaged approach the project seeks to ensure that the voices of marginalized communities are heard and that their history is incorporated into the narrative fabric of the country and the region. This digital and public humanities project aims to amplify AfrohistoriaRD’s liberatory practice, which disrupts dominant narratives, investigates silenced histories, encourages critical thinking, and fosters imagination by creating new ways to examine our past.

Evelyn Reidy
2025-26 Artistic Research Fellow
More Weight, or, I Saw Goody Proctor at the Gift Shop: A new play
The infamous court proceedings and subsequent executions of 1692-1623 in Salem, Massachusetts—colloquially known as the Salem Witch Trials—have long captured the public imagination in the United States and beyond. The oft sensationalized and frequently misunderstood events have inspired a significant canon of literary and dramatic works, not to mention a tourism industry that, for better or worse, buoys modern-day Salem’s economy. In a sea of books, plays, museums, scare attractions, kitschy waxworks, and “haunted Salem” tours, it is easy to lose sight of the stories of the twenty-five people who died—either by disease or execution—out of the over two hundred accused during a series of trials that tore a community apart and exposed many of the ugly prejudices that undergirded the American colonial project.

Andrew Aaron Valdez
2025-26 Artistic Research Fellow
From Seed to Resurgence: Xinatchli’s Creative Role in Coahuiltecan Retribalization
From Seed to Resurgence is a multidisciplinary project that will result in a new play integrating songs and historical narratives sourced from the Folger Institute collections. This work contributes to scholarly efforts aimed at reclaiming the cultural heritage of the Coahuiltecan people, Indigenous to Northern Mexico and South Texas, whose history and language have been extensively erased by colonization. Inspired by the Nahuatl word Xinatchli—symbolizing seed germination—the project seeks to revive and honor the erased cultural narratives of the Nahuatl and Coahuila peoples.
About Folger Institute
The Folger Institute is a center for early modern research at the Folger Shakespeare Library that brings public audiences together with researchers to explore the cultures and legacies of the early modern world. Learn more.
See what our fellows are researching

“A smale remembrance”: Elizabethan Posy Rings
A closer look at 17th century engraved rings in the Folger’s collection

North Africa Through the Eyes of England
A look at some of the colonial sources that informed the understanding that 17th century English people had of North Africa.

What of Shakespeare?
Findings from a 1945 survey asking patrons of a library about their experiences reading, watching, and performing Shakespeare.

“I have lately been promoted to the ‘big douche’”
Through her correspondence, Delia Salter Bacon reveals what it was like to undergo a 19th century “water-cure”

Performing Race in the London Lord Mayors’ Show, 1660-1708
Fellow Jamie Gemmell explores how race was performed in the annual London Lord Mayor’s Show