is an MLitt student at Mary Baldwin University studying Shakespeare and Performance. Her research interests include Shakespearean theatre history and promptbook studies, while her current work explores Victorian actor-manager William Charles Macready and his relationship with King Lear.
The curious and complicated history of the 16th-century play “The Lamentable Tragedie of Locrine” prompts interesting conversations about the Shakespeare canon and its apocrypha.
William Charles Macready and the restoration of William Shakespeare’s ‘King Lear’
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Alexandra E. LaGrand
Imagine a King Lear that cut the character of the Fool, created a romance between Edgar and Cordelia, and featured a happy ending in which Lear and Cordelia both live. That was the most popular version of Shakespeare’s play for…
A history of Theatre Royal Haymarket and its struggle to break through London's restrictions on Shakespeare
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Author
Alexandra E. LaGrand
William Capon. Theatre Royal Haymarket. August 1803. Folger Shakespeare Library. During a time when performing Shakespeare in London was a legal right belonging only to certain theaters, the Haymarket theater’s rise to greatness is directly linked to its struggle to…
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