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engravings

Engraved to Sell
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Engraved to Sell

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Caroline Duroselle-Melish

Printed ephemera can be exciting, especially when it reveals information that can be found nowhere else. When it is also a very rare piece with only a couple of extant copies recorded, and its design is intriguing, the discovery is…

An Example of Printed Visual Marginalia
right: image of eagle carrying away a wolf while a second wolf looks on; left: two separate images, one of a single wolf, the second of an eagle carrying off a wolf
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An Example of Printed Visual Marginalia

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Caroline Duroselle-Melish

The Folger Shakespeare has recently acquired a copy of the 1706 English edition of the travel narrative A New Voyage to the North… (Folger 269- 090q), written by the French physician Pierre Martin de la Martinière (1637-1676?) and published posthumously…

An argent lion rampant: coats of arms in 17th-c. books
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An argent lion rampant: coats of arms in 17th-c. books

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Goran Proot

In recent months, the Folger Shakespeare Library added a rare emblem book to its holdings, a thin quarto bound in pasteboards holding 24 unnumbered leaves . The emblem book presents itself as a “new year’s gift” containing 13 engravings: one coat…

Four states of Shakespeare: the Droeshout portrait
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Four states of Shakespeare: the Droeshout portrait

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Sarah Werner

So the mysterious eye of this month’s crocodile belongs to no other than Shakespeare, as some readers immediately recognized: Droeshout’s engraving of Shakespeare on the title page of the First Folio More specifically, it is Shakespeare’s left right eye as depicted…

Myth-busting early modern book illustration, part one
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Myth-busting early modern book illustration, part one

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Erin Blake

There’s a common core of misconceptions that many readers of this blog will be accustomed to dispelling thanks to their interest in Shakespeare and Early Modern Europe. “O Romeo, Romeo, wherefore art thou Romeo?” doesn’t mean “Where’d you go, Romeo?!” Historic…

Woodcut, engraving, or what?
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Woodcut, engraving, or what?

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Erin Blake

When a reader needs  to verify the printmaking technique behind an early modern book illustration, I’m always happy to grab my favorite 10x loupe and head up to the Reading Room to have a closer look. By popular request, here…