Monteverdi’s Legacy

Robert Eisenstein, Artistic Director (bass viol)

Robert Eisenstein has led over 200 productions and performances with Folger Consort over the past 40 years, including Measure + Dido at the John F. Kennedy Center for the Performing Arts and Napa Valley Shakespeare, The Merchant of Venice at Strathmore, The Fairy Queen, and Hildegard Von Bingen’s Ordo Virtutum at the Washington National Cathedral. Recently retired as the Director of the Five College Early Music Program; Music Director for the Five College Opera Project production of Francesca Caccini’s La Liberazione di Ruggiero; Mount Holyoke College faculty emeritus, where he taught music history and performed on the viola de gamba, violin, and medieval fiddle. He is an active participant in Five College Medieval Studies. Recipient of Early Music America’s Thomas Binkley Award for outstanding achievement in performance and scholarship by the director of a college early music ensemble.

Christopher Kendall is founder of the Folger Consort. He is dean emeritus of the University of Michigan School of Music, Theatre & Dance after serving two terms as the school’s dean, where he was responsible for establishing the University of Michigan Gershwin Initiative, for re-instituting international touring, for the funding and design of a $30M expansion/renovation of the music building, and for launching the interdisciplinary enterprise ArtEngine and its national initiative a2ru (Alliance for the Arts at Research Universities). In Washington, in addition to his work with Folger Consort, since 1975 he has been Artistic Director and conductor of the 21st Century Consort, the new music ensemble-in-residence at the Smithsonian’s Hirshhorn Museum and Sculpture Garden. Mr. Kendall served as Director of the University of Maryland School of Music from 1996 to 2005 during a period of rapid development and its move to the Clarice Smith Performing Arts Center. Associate Conductor of the Seattle Symphony from 1987 to 1992 and Director of the Music Division and Tanglewood Institute of the Boston University School for the Arts from 1993 to 1996, Mr. Kendall has guest conducted many orchestras and ensembles in repertoire from the 18th to the 21st centuries. His recordings can be heard on the Bard, Delos, Nonesuch, Centaur, ASV, Arabesque, Innova, Bridge, and Smithsonian Collection labels.