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To Hear Her Speak

Black Women and Shakespeare

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Dates Oct 16, 2026 – May 2, 2027

Venue Stuart and Mimi Rose Rare Book and Manuscript Exhibition Hall

Tickets Pass Information Forthcoming

For centuries, Black women have claimed Shakespeare, reshaping his words to assert their humanity, creativity, and power. To Hear Her Speak brings these voices into focus for the first time.

Curated by Dr. Patricia Akhimie, Director of the Folger Institute, this landmark exhibition explores the histories of Black women in Shakespearean performance and highlights the ways in which Black women have engaged Shakespeare’s language, stories, and characters in their work.

To Hear Her Speak also builds on new research about the presence of Black women in early modern Europe, and shows how they were represented (and misrepresented) by artists and writers of the day, including Shakespeare, whose Sonnet 130 inspired the exhibition’s title.

Nearly 100 objects ranging from photographs, playbills, posters, books, diaries, illustrations, and costumes draw from the Folger collection as well as key loans. Together, they document the stories of Maya Angelou, Toni Morrison, Lorraine Hansberry, Mae Turner, Esther Rolle, Phillis Wheatley, and many others.

To Hear Her Speak invites visitors to listen closely to the Black women who have used Shakespeare to shape careers, challenge exclusion, and insist upon their place in history. As actors, scholars, authors, artists, musicians, directors, and so much more—Black women have spoken Shakespeare’s words into new possibilities.

Selected items

Head of a woman with a lace kerchief hat. Etching, 1645. Wenceslaus Hollar (1607-1677), artist and printmaker. Folger Shakespeare Library.
Photograph in printed magazine feature, “Parts I’d Like to Play, XIII: Desdemona Waters,” Stage, Nov 1935. Valente-Van Steen, photographer. Folger Shakespeare Library. 
Tamika. Archival pigment print, 2020. Kennedi Carter (born 1998), artist. Copyright Kennedi Carter courtesy ROSEGALLERY.
Phillis Wheatley’s Copybook. Stuart A. Rose Manuscript, Archives, and Rare Book Library, Emory University. 
“By heaven, thy Love is blacke as Ebonie” (Act 4, Scene 3, Line 267). William Shakespeare's A pleasant conceited comedie called, Loves labors lost, 1598. Folger Shakespeare Library.

Support for this exhibition is made possible by Daniel W. Hamilton, the Henry Luce Foundation, Dell Technologies, and Room & Board Home Furnishings.

Room and Board Home Furnishings

Audio guide

An audio guide to the exhibition will be available through Bloomberg Connects. Narrated by Shakespearean actress and director Adjoa Andoh MBE, the Folger’s inaugural Director’s Resident who is best known for her role as Lady Danbury on Netflix’s Bridgerton, the audio guide will also feature additional insights from Patricia Akhimie and world-class scholars Kim F. Hall and Joyce Green MacDonald.

Exhibition catalog

A full-color catalog from ACMRS Press features essays by Patricia Akhimie, Verónica Betancourt, Kim F. Hall, Ayanna Thompson, and many others. The catalog will publish on September 1.

Exhibition credits

Curator: Patricia Akhimie
Interpretive Consultant: Verónica E. Betancourt
Research Fellows: Atesede Makonnen, Brandi K. Adams, Patricia Matthew, Joyce Green MacDonald, Kim F. Hall, Noémie Ndiaye
Research Assistants: Cen Liu, Dalton Greene, Shanelle Kim, Anna Kutter, Tapiwa Gambura
Early Modern Map of London: Jamie Gemmell, Rebecca Adusei, Kelly Martin
Design and Fabrication: Little Wing Lee, Studio & Projects, Grace Warnick, Bison Fine Art Services

This exhibition reflects the work and collaboration of current and former Folger staff across the institution, including but not limited to:

Exhibitions: Nicole Bryner, Rebecca Ljungren, Kristen Sieck
Conservation: Kathryn Kenney, Hannah Moshier, Jess Ortegon
Folger Institute: Victoria Friend
Operations: Victoria Benson, Josh Childs, Wenqi Han
Collections: Shanta Bryant, Kris Massengale, Collette Puhala, Allyssa Wiggins, Tim Tiebout, Chris Naulty, Melanie Leung, Erin Blake, Deborah Leslie, Emma Flesher