Austin Tichenor

Shakespeare’s play Richard III turns real people into fictional villains, as does a new movie about the search for Richard III’s remains, writes Austin Tichenor.

Austin Tichenor writes about the problematic protagonists of the Oscar-nominated films Elvis and Tár, who evoke Shakespeare’s Richard III as they seek to control their respective narratives.

Austin Tichenor writes a blog post about how, like many of Shakespeare’s plays, the HBO series The White Lotus explores power among the privileged and the people who attend them.

“In both ‘Rosaline,’ a charming teen romcom streaming on Hulu, and ‘& Juliet,’ a splashy new musical making its Broadway debut this week, Shakespeare’s tragedy becomes a surprising springboard for music, comedy, and investigations into narrative ownership,” writes Austin Tichenor.

HBO’s Emmy-winning “The White Lotus” transforms Shakespeare’s “The Tempest” into a darkly funny satire of the hospitality industry, writes Austin Tichenor.

Austin Tichenor draws comparisons between Kim Wexler and Lady Macbeth, unpacking Shakespearean themes in the “Better Call Saul” series.

Austin Tichenor explores small-cast Shakespeare and the artistic possibilities of a few performers playing multiple roles.

Austin Tichenor recommends an adventure novel starring a young Christopher Marlowe and William Shakespeare, who uncover a plot to assassinate Queen Elizabeth.

Robert Eggers’s “The Northman” is not an adaptation of “Hamlet,” but a film in conversation with Shakespeare’s play, Austin Tichenor writes.

Austin Tichenor draws connections between Hamlet and Batman, noting the range of interpretations.