Shakespeare & Beyond

Austin Tichenor writes about the theater-going experience in Shakespeare’s time and how that contrasts with audience expectations today.

Lillian Groag writes about the challenges of translating one of Shakespeare’s more obscure plays, ‘Troilus and Cressida,’ for the Oregon Shakespeare Festival’s Play on! project.

Shakespeare’s witches, like nearly all witches of Shakespeare’s time, have their roots in the kitchen more than in the study.

Find out what’s onstage at Shakespeare theaters across the United States in September.

Artist Paul Glenshaw takes a close look at Titania and Bottom as he draws the scene from “A Midsummer Night’s Dream” depicted on a Folger bas-relief.

In her new novel “The Shakespeare Requirement,” Julie Schumacher continues her satirical commentary on the humanities in academia.

This excerpt from a new book by Katherine West Scheil explores the 19th-century transformation of the Anne Hathaway Cottage into a tourist destination.

Take this quiz to see if you can identify lines from Shakespeare’s Macbeth or the Restoration-era version as adapted and amended by Sir William Davenant.

Jonathan Croall writes about Frances de la Tour’s 1979 performance as Hamlet, the first woman to do so on the English stage since Sarah Bernhardt.

Paul Glenshaw writes about drawing the Folger’s Shakespeare bas-reliefs, which were created by John Gregory and depict scenes from nine plays.

Slip into the Folger collection with me and connect with sweltering people from summers past in their quest to beat the heat or rhapsodize summer’s charms.

Ellen McLaughlin writes about translating ‘Pericles’ for the Oregon Shakespeare Festival and what she learned about this less frequently produced play.