In an excerpt from The Chinese Tragedy of King Lear, author Nan Z. Da looks at the role of the Fool in Shakespeare’s King Lear and the Chou in Peking Opera.
Translating the Chinese classic 'The Peony Pavilion' with a 'Shakespearean flavor'
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Esther French
The Peony Pavilion. “Kunqu performance at Peking University.” Wikimedia Commons / Antonis SHEN / CC BY-SA 2.0 Could Chinese literature be more popular with English-speaking audiences if translators favored words, phrases and poetic forms that spark associations with Shakespeare? This…