Re-thinking "Honest Iago"
Austin Tichenor grapples with the larger question of whether Iago deserves the sympathetic re-evaluation found in Iago: The Green Eyed Monster.
Excerpt: "The Great White Bard"
Farah Karim-Cooper explores the way that race is represented by Desdemona in Shakespeare’s Othello, in this excerpt from her new book, The Great White Bard.
The evolution of American Moor: The Untitled Othello Project
Keith Hamilton Cobb reflects on his play American Moor and how the questions he received in response to it led to the development of the Untitled Othello Project, a deeply scrutinizing exploration of Shakespeare’s text.
BECOMING OTHELLO! A gender-flipped journey onstage and in the archive
Debra Ann Byrd writes about encountering an early female Othello in the Folger collection and developing her memoir and solo show, Becoming Othello.
Excerpt — Keith Hamilton Cobb’s ‘American Moor’: An introduction by Kim Hall
At the heart of Keith Hamilton Cobb’s one-man play American Moor are explorations of blackness, racial dynamics in American theater, “ownership” of Shakespeare, and the subtext of Othello. He has performed the play across the United States, including an off-Broadway…
Shakespeare and opera: Jealousy and tragedy in Verdi's Otello
Leah Crocetto (Desdemona) and Russell Thomas (Otello) in WNO’s Otello. Photo by Scott Suchman. I find it fascinating that Verdi’s last two operas were both inspired by Shakespeare: Otello (1887) and Falstaff (1893), yet they are very different in story,…
Desdemona and Emilia: The testament of female friendship in Othello
Desdemona and Emilia’s friendship inspires resistance and the courage to speak the truth, resulting in Iago’s exposure and Desdemona’s exoneration.
Shakespeare, improvisation, and the art of rhetoric
Shakespeare characters like Viola and Iago are masters of improvisation, says Folger Director Michael Witmore in this excerpt from the 2017 Shakespeare’s Birthday Lecture.
What's my line? Exploring promptbooks for Othello
Promptbooks let us peer into the minds of some of history’s greatest theater-makers and see how they imagined Shakespeare’s plays.
Comparing Timon of Athens with Iago
Timon of Athens vs. Iago! Actors Ian Merrill Peakes and Louis Butelli discuss these Shakespeare characters, their degree of self-awareness, and their villain status.
Q&A: Tracy Chevalier on New Boy, her retelling of Shakespeare's Othello
Read this Q&A with Tracy Chevalier about her new novel New Boy, which retells the story of Shakespeare’s Othello and is the latest book in the Hogarth Shakespeare series.
Ira Aldridge takes the stage
Ira Aldridge as Aaron in Shakespeare’s Titus Andronicus. Since their revival by David Garrick in the early eighteenth century, Shakespeare and his plays have always generated a certain aura of celebrity, sometimes referred to as “Bardolatry.” Following in the footsteps…