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Shakespeare

William Shakespeare, Poet and Gentleman
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William Shakespeare, Poet and Gentleman

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Heather Wolfe Michael Witmore

The Guardian newspaper recently published an article about new manuscript discoveries concerning the life of William Shakespeare. These discoveries, made by Heather Wolfe, are described as a decisive blow to the belief that Shakespeare was a front man for someone…

Sophisticating the First Folio
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Sophisticating the First Folio

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Caroline Duroselle-Melish

This week we will continue our discussion of the First Folios currently on display in the Folger Shakespeare Library exhibition, First Folio! Shakespeare’s American Tour. This post will look at their “sophistication.” A “sophisticated” or made-up book is a defective…

Scissors inside books?
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Scissors inside books?

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Heather Wolfe

The rusty outline we showed in last week’s Crocodile post is, as one of our responders, Giles Bergel, correctly guessed, from a pair of scissors. It appears in Folger First Folio number 58, in Henry IV, part 1 (pp. 50-51). This First Folio…

'I Grapple him to my Soul with hooks of Steel'
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'I Grapple him to my Soul with hooks of Steel'

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Abbie Weinberg

I’m sure all of our readers know that moment when you’re looking for one thing but find something else entirely (some call it serendipity—I just call it research). Such as doing a Name Browse in Hamnet for “Adams” (I believe…

Conserving the Cosway Portrait of Shakespeare
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Conserving the Cosway Portrait of Shakespeare

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Dawn Rogala

A guest post by Dawn Rogala Editor’s note: Folger conservators are internationally known for their expertise in book and paper conservation. When it comes to conserving paintings, though, we turn to outside experts like Dawn Rogala of Page Conservation, Inc. Here,…

Measuring Hamlet and the golden section
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Measuring Hamlet and the golden section

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Goran Proot

It is an understatement to say that the layout of most books doesn’t show much daring, and that academic publications are among the most dull in this respect. But solid content and tasteful form do not necessarily exclude each other,…

Ten copies of the “bad” 1640 Sonnets in good and bad shape
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Ten copies of the “bad” 1640 Sonnets in good and bad shape

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Goran Proot

The Folger Shakespeare Library has ten copies of the second edition of Shakespeare’s sonnets (STC 22344). All ten copies of STC 22344 in a row Engraved portrait (fol. p1v) and the first title page (fol. *1r) from copy 1 The…

First Folios online
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First Folios online

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Sarah Werner

Editor’s Note, March 30, 2016: Sarah now is maintaining an up-to-date list of digitized First Folios on her personal site. When you’ve finished reading this post, please head over there to check out the current list. I imagine that you’re…

Bell's nightmare continued
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Bell's nightmare continued

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Carrie Smith

This post is a continuation of “John Bell, bibliographic nightmare.” I began to write these posts while entrenched in the difficult task of cataloging the library’s myriad copies of Bell’s 18th-century Shakespeare publications as a means of sharing a look into…

John Bell, bibliographic nightmare
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John Bell, bibliographic nightmare

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Carrie Smith Sarah Werner

Some books are more challenging than others; some bibliographic questions are more complicated than others. This is the first of two posts that looks at a particularly challenging cataloging question. Today’s post will set up the challenge; the next one…

Folger Tooltips: updates on links to early Shakespeare editions
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Folger Tooltips: updates on links to early Shakespeare editions

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Jim Kuhn

Hello dear readers: Past tooltip posts have highlighted various efforts at digital outreach to academics, e.g., via links to our Digital image database from Hamnet, or from finding aids. But fulfilling the mission of the Folger requires more than that—among…

From Stage to E-page: Theater Archives at the Folger Library
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From Stage to E-page: Theater Archives at the Folger Library

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Georgianna Ziegler

The Folger Shakespeare Library in Washington, DC opened in 1932. It is representative of a private institution whose collections were very much shaped by the interest of its founders, Henry and Emily Folger. Fortunately for theater historians, the Folgers were…

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