Folger Institute

Semantics: Ars Minor or Ars Major?
Fellow Layla Zeitouni explains how the Term “Major” Allowed the Gutenberg Bible to Supersede the Donatus

Color of Character: Racial Cues in the Visual Othello
A participant in the undergraduate seminar, Whose Sovereignty?, explores depictions of Othello in the Folger collection

Sitting with the Book of Martyrs
A participant in the undergraduate seminar, Whose Sovereignty?, experiences the materiality of the 1583 edition of John Foxe’s Actes and Monuments

Deep Dive into Gorakh Dhanda or what Partington thought of Indian Shakespeare in 1913
Fellow Anandi Rao takes a close look at a copy of an Urdu translation of The Comedy of Errors.

Finding Beulah
Fellow Sara Pennell hunts down the former owner of one the Folger’s many recipe books.

C. Walter Hodges and Reconstructed Shakespearean Theatres
Fellow Alex Baines looks at the drawings of C. Walter Hodges and how they continue to impact how we imagine the Globe Theatre

They Lied then, They Lie Now: A Native Perspective on Columbus and Current Events

Or else I’m a Jew | a series of abstractions
Artistic fellow Casey Carsel shares their process designing textile works in response to questions about the Early Modern Jewish experience

Discovering Paolo Bozi’s Rappresentatione Del Giudicio Vniuersale
Folger Fellow Ianick Takaes explores an early modern staging of heaven and hell.

The Curious Papers of the Curious Dr. Stukeley
A look at items in the Folger collection belonging to William Stukeley, an antiquarian with an interest in Robin Hood

Sweet Blood: A Play in Progress
Artistic Fellow Camille Thomas shares how research at the Folger helps inform her play, Sweet Blood.

Race B4 Race 2024 Seminar 3: What We’re Reading and Why
In a continuation of a series, a member of the RaceB4Race Mentorship Network discusses what they’re reading and thinking about in their monthly Reading Group.