Inspired by Shakespeare

Folger Finds: Winter Scenes
Scenes of winter in the Folger collection, from snowy outdoor scenes to fashionable illustrations to mentions of winter in Shakespeare’s Sonnets.

The Reading List: Family Stories
The end of the year brings feasts, celebrations, and family. Our reading list of Folger Book Club picks offers a wide range of ways to reflect on the ties that bind us.

Bringing Shakespeare’s Macbeth to Operatic Heights
Washington National Opera’s Artistic Director Francesca Zambello interviews director, Brenna Corner, about Verdi’s opera inspired by Macbeth.

Colman Domingo on the Power of Theater
Actor Colman Domingo takes us behind the scenes of the making of his new film, Sing Sing, the inspiring true story of the Rehabilitation Through the Arts program at the maximum security prison.

Fred Wilson on His New Work for the Folger
The contemporary artist reflects on his new piece for the Folger’s Shakespeare Exhibition and how his work uses museums’ collections to explore their histories.

Isabelle Schuler on Lady Macbeth and Queen Hereafter
Isabelle Schuler tells us about her new novel, Queen Hereafter.

David West Read on & Juliet
Hit musical & Juliet combines Romeo and Juliet with the songs of pop hitmaker Max Martin. Writer and executive producer David West Read (Schitt’s Creek) tells us about how the idea came to him while he was concussed.

Lolita Chakrabarti on Adapting Hamnet for the Stage
Lolita Chakrabarti on writing the Shakespeare family, puppet kestrels, Ira Aldridge, and adapting Maggie O’Farrell’s Hamnet for the stage.

Debra Ann Byrd on Becoming Othello
Theater-maker and past Folger Fellow Debra Ann Byrd tells us about her solo show.

Talene Monahon on Her New Revenge Comedy, Jane Anger
Talene Monahon’s play Jane Anger was inspired by the pandemic and a radical 16th-century proto-feminist pamphlet.

John Adams Gives Antony and Cleopatra the Operatic Treatment
Adams talks with host Barbara Bogaev about how he turned a five-act play into a two-act opera—which scenes got the hook, new lines written in the style of the Bard, and what Shakespeare may have thought of the play’s characters.

Brett Dean and Matthew Jocelyn on Their Hamlet Opera
Composer Brett Dean and librettist Matthew Jocelyn talk about adapting Hamlet to create an opera that subverts expectations and takes audiences inside the minds of Hamlet and Ophelia.