Shakespeare and race

Visualizing Race Virtually: Exploring the art of Shakespeare
David Sterling Brown writes about the images and ideas presented in his virtual-reality exhibition, which features art from the Folger collection.

Excerpt: "The Great White Bard"
Farah Karim-Cooper explores the way that race is represented by Desdemona in Shakespeare’s Othello, in this excerpt from her new book, The Great White Bard.

Farah Karim-Cooper on The Great White Bard
Can we love Shakespeare and be antiracist? Farah Karim-Cooper’s new book explores the language of race and difference in plays such as Antony and Cleopatra, Titus Andronicus, and The Tempest.

Excerpt: "White People in Shakespeare"
White People in Shakespeare examines what part Shakespeare played in the construction of a “white people” and how his work has been enlisted to define and bolster a white cultural and racial identity.

Margo Hendricks on Shakespeare, Race, and Romance
Margo Hendricks joins us for a wide-ranging conversation about her research in pre-modern race studies and her romance and mystery novels.

Debra Ann Byrd on Becoming Othello
Theater-maker and past Folger Fellow Debra Ann Byrd tells us about her solo show.

Ian Smith on Black Shakespeare
Ian Smith returns to Shakespeare Unlimited and talks with Barbara Bogaev about how we can develop our “racial literacy” and read race in plays like Othello, The Merchant of Venice, and Hamlet.

Shakespeare's Language and Race, with Patricia Akhimie and Carol Mejia LaPerle
Shakespeare Unlimited: Episode 177 Close reading of Shakespeare is not a new concept. But this kind of close reading is more challenging—and it can help us interpret Shakespeare’s words in new and profound ways. Our guests are two contributors to…

Race and Blackness in Elizabethan England, with Ambereen Dadabhoy
Shakespeare Unlimited: Episode 168 When did the concept of race develop? How far should we look back to find the attitudes that bolster white supremacy? We ask Dr. Ambereen Dadabhoy, an assistant professor of literature at Harvey Mudd College, and…
![Mr. Ira Aldridge as Aaron [in] Titus Andronicus. The London Printing and Publishing Company, engraving, 1852 – 53, with digital alterations. Folger Shakespeare Library.](https://images.folger.edu/uploads/2020/11/008976_web_banner.jpg?fit=10%2C10)
Black Lives Matter in Titus Andronicus
Shakespeare Unlimited: Episode 155 In his classes at Binghamton University, David Sterling Brown and his students examine Shakespeare’s plays through the lens of Critical Race Theory. You might have heard about Critical Race Theory lately: put simply, it’s a way…
An Invitation from a Black Shakespearean
Note from Folger Education: Now more than ever we need to ask the big questions, confront the issues that both unite and divide us. Today we share an essay written for the CrossTalk: DC Reflects on Identity and Difference project…

Shakespeare in the Caribbean
Shakespeare Unlimited: Episode 35 Shakespeare and his plays are woven deeply into the culture of the Caribbean, both white and black. Even after centuries of British colonial rule came to an end, Shakespeare endured. There’s a long tradition in the…