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Contemporary Art at the Folger

From October 2025 to April 2026, the Folger will feature boutique-style solo shows highlighting selected works by artist fellows from across the country. The series will conclude with a final exhibition at Transformer DC, in the Logan Circle neighborhood.

About Folger Artist Fellows

Each year, the Folger Shakespeare Library awards fellowships to artists whose creative work is grounded in research on the stories, art, and objects in our collection. Artist fellows tease out the threads connecting the early modern world to our lives today. Whether through visual art, performance, or creative writing, they unfold richer, more complete histories and create expansive possibilities for the present.

On View

Elise Ansel

October 3–November 9, 2025

While “Old Master” paintings were largely created by men for men, Elise Ansel disrupts this exclusionary viewpoint by using oil paint to create feminist translations. By employing the open-ended visual languages of color and abstraction, she creates new ways of looking and engaging for modern viewers. As a fellow, Ansel deploys this framework to reinterpret Henry Fuseli’s Macbeth Consulting the Vision of the Armed Head (1793), held in the Folger collection.

On View: Elise Ansel
Abstract gold, grey, and red painting on a black background

On View: Elise Ansel

Artist Elise Ansel uses a feminist framework to reinterpret Henry Fuseli’s Macbeth Consulting the Vision of the Armed Head (1793), held in the Folger collection.
Fri, Oct 3 – Sun, Nov 9, 2025
Rose Exhibition Hall
Gallery Talk: Elise Ansel
Photo of Elise Ansel

Gallery Talk: Elise Ansel

Explore a feminist take on the history of Halloween’s most essential themes in this gallery talk with Elise Ansel as part of "Contemporary Art at the Folger," a rotating series that showcases the work of Folger Artist Fellows.
Fri, Oct 10, 2025, at 6:30pm
Rose Hall

Missy Dunaway

November 14, 2025–January 4, 2026

Blending acrylic ink with research, Missy Dunaway investigates the connections between art, literature, history, and the natural world. Her ongoing project The Birds of Shakespeare visually catalogs every bird mentioned in Shakespeare’s plays and poems—at least 65 species—in consultation with an ornithologist and a scholar of early modern natural history. Dunaway’s detailed work reminds us that wildlife destruction is a cultural loss as well as an environmental one.

Dominick Porras

January 9–February 15, 2026

Growing up in a detribalized community along the Rio Grande has profoundly shaped Dominick Porras’ identity as a Chicano artist. His photography and new media installations bridge past and future as vessels for exploring the rich tapestry of his heritage. By pairing historical research on the travels of 16th century Spanish colonizer Álvar Núñez Cabeza de Vaca with his own linguistic and cultural knowledge of the Coahuiltecan peoples, Porras complicates ideas of contact, survival, and transformation.

Mandy Cano Villalobos

February 20–April 5, 2026

Self-dubbed a “cultural scrapper,” Mandy Cano Villalobos harnesses the leftover materials of home, belonging, and cultural identity. Using everything from broken jewelry and orphaned toys to stained clothing, her mixed-media textiles take inspiration from the luxurious designs of embroidered bindings in the Folger collection and re-create them with the relics of modern capitalist excess. Cano Villalobos uses this juxtaposition to draw attention to the lasting legacies of injustice and environmental damage that are a consequence of early modern colonization and empire building.

Alexander D’Agostino

March 21–April 25, 2026, at Transformer DC

Alexander D’Agostino uses embodied research practices such as performance and tarot divination to create new myths and rituals that pay homage to the marginalized LGBTQ+ people of the past. At the Folger, his research focuses on V.b.26, an enigmatic, handwritten grimoire, or book of magic, in our collection known for its depictions of the Fairy King, Oberon. D’Agostino uses the secretive imagery, spells, and spirits of the grimoire to bring queer history and culture, from early modern to present, into the public eye.

On View: Elise Ansel
Abstract gold, grey, and red painting on a black background

On View: Elise Ansel

Artist Elise Ansel uses a feminist framework to reinterpret Henry Fuseli’s Macbeth Consulting the Vision of the Armed Head (1793), held in the Folger collection.
Fri, Oct 3 – Sun, Nov 9, 2025
Rose Exhibition Hall
Gallery Talk: Elise Ansel
Photo of Elise Ansel

Gallery Talk: Elise Ansel

Explore a feminist take on the history of Halloween’s most essential themes in this gallery talk with Elise Ansel as part of "Contemporary Art at the Folger," a rotating series that showcases the work of Folger Artist Fellows.
Fri, Oct 10, 2025, at 6:30pm
Rose Hall