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Folger Exhibitions

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Covering Esther, or What Happens When Renaissance Woman Esther Inglis Exchanges Her Brush and Pen for a Needle: Examining Embroidery Through Reproduction
A picture of the brownish velvet book and the bright red book in an exhibition case together
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Covering Esther, or What Happens When Renaissance Woman Esther Inglis Exchanges Her Brush and Pen for a Needle: Examining Embroidery Through Reproduction

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Christy Gordon Baty and Erin Harvey Moody

A behind the scenes look at the creation of a reproduction of one of the embroidered bindings on display in Little Books, Big Gifts: The Artistry of Esther Inglis.

Q & A: David McKenzie, Head of Exhibitions
Q & A: David McKenzie
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Q & A: David McKenzie, Head of Exhibitions

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The Collation

Please join us in welcoming David McKenzie to the Folger as the Head of Exhibitions. In this role, David will oversee the creation of a new Exhibitions department which will focus on re-envisioning the scope, content, and implementation of a…

About that frontispiece portrait of Hannah Woolley....
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About that frontispiece portrait of Hannah Woolley....

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Heather Wolfe

I was delighted by the range of responses we got for last week’s Crocodile post on the identity of the woman in the engraving: Catherine of Braganza, Cleopatra, Lady Frances Egerton, Elizabeth Nash nee Hall (Shakespeare’s grand-daughter), Hannah Woolley, and…

Under Cover: Forged Bindings on Display at the Folger
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Under Cover: Forged Bindings on Display at the Folger

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Elizabeth DeBold

Our latest exhibition, Form and Function: the Genius of the Book, provides visitors with a true visual feast. Offering a wide array of different types of bindings from the Folger collections, exhibition attendees will learn about the techniques and materials historically…

The Mysterious Case of Folger First Folio 33
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The Mysterious Case of Folger First Folio 33

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Elizabeth DeBold

Shakespeare’s First Folio has been under the microscope for centuries, studied by historians, students of literature, and actors, as well as by those who are convinced that the works of the Bard are hiding something. As many of you may…

Sophisticating the First Folio
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Sophisticating the First Folio

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Caroline Duroselle-Melish

This week we will continue our discussion of the First Folios currently on display in the Folger Shakespeare Library exhibition, First Folio! Shakespeare’s American Tour. This post will look at their “sophistication.” A “sophisticated” or made-up book is a defective…

Scissors inside books?
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Scissors inside books?

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Heather Wolfe

The rusty outline we showed in last week’s Crocodile post is, as one of our responders, Giles Bergel, correctly guessed, from a pair of scissors. It appears in Folger First Folio number 58, in Henry IV, part 1 (pp. 50-51). This First Folio…

Building a Replica of the John Wilkes Booth Diary
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Building a Replica of the John Wilkes Booth Diary

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Austin Plann Curley

Guest Post by Folger conservator Austin Plann Curley “You can’t always get what you want.” So said the Rolling Stones in 1969. Such was the case for the Folger Shakespeare Library in our recent request to borrow the Diary of…

“Extravagantly Large Paper”
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“Extravagantly Large Paper”

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Caroline Duroselle-Melish

While working on the exhibition “Age of Lawyers” (currently on view at the Folger Shakespeare Library), I came upon several interesting copies of Thomas Littleton’s Tenures, the first textbook written on English land law. There are five different copies of…

Fall Round-up for Early Modern Manuscripts Online
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Fall Round-up for Early Modern Manuscripts Online

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Paul Dingman Sarah Powell

Over the past few months, EMMO has been busy with several first-ever activities connected to transcribing manuscripts at the Folger. In August, we transcribed excerpts from over twenty four manuscripts currently exhibited in the Age of Lawyers Exhibition (running until…

Constructing volvelles
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Constructing volvelles

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Sarah Werner

As Elizabeth Bruxer correctly identified within a few short hours of its posting, this month’s crocodile mystery showed the inner disc of an unconstructed volvelle from a copy of the 1591 edition of Giambattista della Porta’s De furtivis literarum  notis (STC…

William Dethick and the Shakespeare Grants of Arms
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William Dethick and the Shakespeare Grants of Arms

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Nigel Ramsay

A guest post by Nigel Ramsay For many visitors to the Folger’s Heraldry exhibit, “Symbols of Honor,” the stars will be the three original draft grants on paper of Shakespeare’s coats of arms. These belong to the English heralds’ long-established…

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