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Staging Shakespeare

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What's onstage at Shakespeare theaters in October
Shakespeare and Beyond

What's onstage at Shakespeare theaters in October

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Author
Ben Lauer

October brings a bumper crop of productions from the Folger’s theater partners, including a ‘King Lear’ performed in Original Pronunciation, ‘Romeos and Juliets’ galore, and a new adaptation of ‘As You Like It’ featuring the music of the Beatles.

What's onstage at Shakespeare theaters in September
Shakespeare and Beyond

What's onstage at Shakespeare theaters in September

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Author
Ben Lauer

This September, there’s still time to catch the final performances of some of this summer’s outdoor Shakespeare productions. Plus, watch performances online from the American Players Theatre, the Hudson Valley Shakespeare Festival, the San Francisco Shakespeare Festival, and Shakespeare in…

Shakespeare's late romances on summertime stages
Shakespeare and Beyond

Shakespeare's late romances on summertime stages

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Author
Ben Lauer

What’s behind the unusual number of Shakespeare’s romances onstage this summer? We talked to the artists behind them to find out.

What's onstage at Shakespeare theaters this summer
Shakespeare and Beyond

What's onstage at Shakespeare theaters this summer

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Author
Ben Lauer

Summer Shakespeare is back. Take a look at the plays that the Folger’s theater partners have onstage this July and August.

What's your favorite Shakespeare play?
Folger Theatre - Love's Labor's Lost
Shakespeare and Beyond

What's your favorite Shakespeare play?

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Author
Austin Tichenor

(left-right) Joshua David Robinson, Matt Dallal, Zachary Fine, and Jack Schmitt in Love’s Labor’s Lost, Folger Theatre, 2019. Photo by Brittany Diliberto. You’d think I’d have a better answer to the question, “What’s your favorite Shakespeare play?” — but it’s…

Excerpt - "A Short History of Shakespeare in Performance" by Richard Schoch
cover
Shakespeare and Beyond

Excerpt - "A Short History of Shakespeare in Performance" by Richard Schoch

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Shakespeare & Beyond

How have directors sought to make Shakespeare productions relevant to contemporary political issues? What is it about these plays that makes them so politically resonant? Richard Schoch (Queen’s University Belfast) explores these questions in the excerpt below, taken from A…

Where to find Shakespeare in June
Shakespeare and Beyond

Where to find Shakespeare in June

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Author
Ben Lauer

This month, Shakespeare theaters across the country are bringing live theater back! Take a look at what the Folger’s theater partners have onstage this month, along with virtual talks, online streaming shows, and audio productions.

Not of an age: The history behind Ian McKellen’s Hamlet
Ian McKellen and other Hamlets
Shakespeare and Beyond

Not of an age: The history behind Ian McKellen’s Hamlet

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Author
Daniel Blank

In June, Ian McKellen will take the stage as the title character in Hamlet at the Theatre Royal Windsor. McKellen is no stranger to the role: he played Hamlet in Prospect Theatre Company’s touring production a half century ago. It…

Where to find Shakespeare in May
Shakespeare and Beyond

Where to find Shakespeare in May

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Author
Ben Lauer

Check out awesome performances and programs from Shakespeare theaters across the United States this month.

Where to Find Shakespeare in April
Shakespeare and Beyond

Where to Find Shakespeare in April

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Author
Ben Lauer

Find out how Shakespeare theaters across the United States are celebrating the Bard’s birthday this year.

Where to find Shakespeare in March
Shakespeare and Beyond

Where to find Shakespeare in March

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Author
Ben Lauer

There are lots of places to watch and listen to Shakespeare online this March, especially for fans of “Julius Caesar” and “Hamlet.”

Historical connections: The Black page in Henry Irving’s Victorian production of ‘The Merchant of Venice’
Shakespeare and Beyond

Historical connections: The Black page in Henry Irving’s Victorian production of ‘The Merchant of Venice’

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Author
Hassana Moosa

Victorian director Henry Irving’s use of a Black page in his production of ‘The Merchant of Venice’ shows how forms of race-thinking had been sustained and intensified in the English theatrical imagination.

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