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Staging Shakespeare

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Historical connections: The Black page in Henry Irving’s Victorian production of ‘The Merchant of Venice’
Shakespeare and Beyond

Historical connections: The Black page in Henry Irving’s Victorian production of ‘The Merchant of Venice’

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Author
Hassana Moosa

Victorian director Henry Irving’s use of a Black page in his production of ‘The Merchant of Venice’ shows how forms of race-thinking had been sustained and intensified in the English theatrical imagination.

Where to Find Shakespeare in February
Shakespeare and Beyond

Where to Find Shakespeare in February

Posted
Author
Ben Lauer

Check out innovative online plays and programs in February from the members of the Folger’s Shakespeare Theater Partnership Program.

Where to find Shakespeare (and more) in January
Shakespeare and Beyond

Where to find Shakespeare (and more) in January

Posted
Author
Ben Lauer

From new podcasts to online events, theater companies are creating great new ways to engage with Shakespeare and other amazing writers.

What theater makers learned from 2020
King Lear
Shakespeare and Beyond

What theater makers learned from 2020

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Author
Ben Lauer

We asked some of our Shakespeare theater partners what the events of 2020 had illuminated for them about Shakespeare and theater.

Where to watch Shakespeare in November
Shakespeare and Beyond

Where to watch Shakespeare in November

Posted
Author
Ben Lauer

Shakespeare companies have lots of creative programs happening this month both online and in-person. Here’s what the Folger’s theater partners are up to this November.

Where to Watch Shakespeare in October
Shakespeare and Beyond

Where to Watch Shakespeare in October

Posted
Author
Ben Lauer

There are a ton of places to watch Shakespeare in October, both online and in-person. Here’s what the Folger’s theater partners are up to this month.

Strange Shakespeare: Macbeth and the even weirder sisters
Shakespeare and Beyond

Strange Shakespeare: Macbeth and the even weirder sisters

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Author
David Taylor

Shakespeare’s witches haven’t always terrified audiences. For a century and more – from the late 17th to the early 19th centuries – actors played these parts for laughs. During the period in which Shakespeare became “the Bard”, the witches in…

“In the brave squares”: The Show Must Go Online
Shakespeare and Beyond

“In the brave squares”: The Show Must Go Online

Posted
Author
Austin Tichenor

One of the lasting achievements of the extended COVID quarantine will surely be an extraordinary archive of the complete works of William Shakespeare performed on Zoom by casts from around the world, under the umbrella title The Show Must Go…

Strange Shakespeare: Transforming ‘The Tempest’, classifying Caliban
Shakespeare and Beyond

Strange Shakespeare: Transforming ‘The Tempest’, classifying Caliban

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Author
Kristina Straub

Shakespeare became the Bard of Avon, the English national poet, in the roughly two hundred years following his death in 1616. During this period, his plays were constantly staged in theaters throughout the British Isles and their colonies—but often in…

Where to find Shakespeare in September
Shakespeare and Beyond

Where to find Shakespeare in September

Posted
Author
Ben Lauer

Check out a mix of innovative online programming and safely socially-distanced in-person performances from Shakespeare companies across the US.

Shakespeare travesties, the philosophical and the popular
Rosencrantz and Guildenstern Are Dead
Shakespeare and Beyond

Shakespeare travesties, the philosophical and the popular

Posted
Author
Andrew G. Van Camp

There are philosophical travesties, which use absurdity to further explore the ideas Shakespeare raised in his plays. And there are popular travesties, which are substantially less faithful to Shakespeare’s original, trafficking in the most well-known touchstones of the plays. Explore…

And so they play their parts: Double-casting Shakespeare’s plays
Shakespeare and Beyond

And so they play their parts: Double-casting Shakespeare’s plays

Posted
Author
Austin Tichenor

Double-casting is a theater technique (as opposed to a literary one) that creates a meta-narrative, transforming a large-cast play into a present-tense adventure. Actors swapping costumes and changing roles (and sometimes genders) becomes part of the thrilling ride, and theater’s…

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