Katherine Gillen, Adrianna M. Santos, and Kathryn Vomero Santos
Katherine Gillen, Adrianna M. Santos, and Kathryn Vomero Santos write about stage adaptations of "Hamlet" and "Romeo and Juliet" that engage with Día de los Muertos traditions, reframing Shakespeare’s meditations on life and death according to Indigenous and Latinx worldviews.
The soliloquy and Hamlet - Excerpt: 'The Elizabethan Mind' by Helen Hackett
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Shakespeare & Beyond
Helen Hackett explores Shakespeare's use of the soliloquy in "Hamlet," including the famous "To be or not to be" speech, in this excerpt from her new book, "The Elizabethan Mind: Searching for the Self in an Age of Uncertainty," published by Yale University Press.
Q&A: Allan Clayton on playing Hamlet in Brett Dean's opera
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Shakespeare & Beyond
Hamlet sings! A new opera version of Shakespeare's "Hamlet" is onstage now at the Metropolitan Opera, with tenor Allan Clayton resuming the title role that he played for the opera's world premiere at the Glyndebourne Festival in 2017. Read our Q&A with Allan Clayton.
In a recent post on the Folger’s Collation blog, assistant curator Elizabeth DeBold shared a small set of photographs, newly added to the Folger collection, that document a 1933 Japanese production of Hamlet: These five photos provide a glimpse of…
Not of an age: The history behind Ian McKellen’s Hamlet
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Daniel Blank
In June, Ian McKellen will take the stage as the title character in Hamlet at the Theatre Royal Windsor. McKellen is no stranger to the role: he played Hamlet in Prospect Theatre Company’s touring production a half century ago. It…
Excerpt: 'Shakespeare and Lost Plays' by David McInnis
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Shakespeare & Beyond
When it comes to the theatrical landscape of Shakespeare's London, there are the plays whose names we are familiar with — plays like Hamlet and Henry V — and then there are the plays that were being performed around the same time and that Shakespeare's audiences would have known well, but that are lost to us today. Read an excerpt from a new book about these plays.
And so they play their parts: Double-casting Shakespeare’s plays
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Austin Tichenor
Double-casting is a theater technique (as opposed to a literary one) that creates a meta-narrative, transforming a large-cast play into a present-tense adventure. Actors swapping costumes and changing roles (and sometimes genders) becomes part of the thrilling ride, and theater’s fundamental artifice becomes its strength. Theater’s very artificiality becomes a feature, not a bug. Shakespeare utilized this trick to both amplify subtext and heighten the drama.
"To be or not to be" - do you know what comes after? This quiz challenges you to drag and drop the lines of Hamlet's famous speech into the correct order.
Photograph by Lizzie Caswall Smith of Sir Johnston Forbes-Robertson as Hamlet. Folger Shakespeare Library. During this global pandemic, when the whole world is quarantined to try to prevent the spread of COVID-19, Hamlet seems like a character perfectly suited to…
