The Folger’s collection is vast and varied, including printed books; manuscripts; prints, drawings, photographs, paintings, and other works of art; and a wealth of performance history, from playbills to films, recordings, and stage costumes.
In addition to the rare material collection, the Folger holds a collection of over 100,000 monographs, periodicals, and electronic resources published between the 1830s and the present, related to the understanding and interpretation of Shakespeare, his works and impact, and to the early modern world.
Printed Books
Manuscripts
Works of Art
Performance History
History of the collection
Henry Clay Folger and his wife, Emily Jordan Folger, began amassing the collection of rare books that would become the Folger Shakespeare Library in 1889. They spent decades gathering the world’s largest Shakespeare collection, as well as associated works from Shakespeare’s time. The Library itself opened in 1932, and continues to expand its holdings today.
Caring for our collections
Related blog posts
Explore some of the scholarly work being done with, in, and around our collections.
A binding fit for the Gilded Age
One of the books in the Folger collection is extraordinary for both its cover, the War of the Roses binding created by book artist Léon Maillard, and its contents, the Pavier quartos, an early try at publishing a collection of Shakespeare’s plays.
Some More Birthdays
In honor of America250 and our exhibition Shakespeare and the American Story, we celebrate milestone birthdays of collection items, from a book that is as the same age as America to coins that are thousands of years old.
Through the Photographer’s Lens
Chris Naulty, our Imaging Associate, shares some of the weird and wonderful things she has encountered in our early modern recipe books while working on the project to digitize them.
Re-writing and Reimagining Early Modern Witchcraft Through Creative Practice
Artistic Research Fellow Evelyn Reidy shares how she is using the Folger’s collection material related to witchcraft, early modern beliefs, and women’s knowledge to help her portray the women executed in Salem in 1692-93 in her new play, More Weight, or I Saw Goody Proctor at the Gift Shop.
The one (fem.)
Artistic Research Fellow Billy Morgan shares and contextualizes an excerpt of a fiction piece shaped by their work at the Folger.