African-American Shakespeare Company Artistic Director L. Peter Callender gets into character as King Richard III in 2018. Photo: Lance Huntley.
Wednesday, March 10, 2021, 5:00 pm
Virtual Event on Instagram Live
What’s your favorite Shakespeare play? Best Shakespeare character? Most overrated Shakespeare play? Tune in on Instagram Live for a fun, fast-paced, Shakespearean chat show. We ask our guests 30 lightning-fast questions about their favorite—and least favorite—things about the Bard.
African-American Shakespeare Company Artistic Director L. Peter Callender joins us on a new episode.
L. Peter Callender is the Artistic Director of the African-American Shakespeare Company in San Francisco, CA. A native of Trinidad, West Indies, and has worked professionally as an actor for over thirty years, more recently as a director and writer. He received his formal training in the theater at the Juilliard School in New York City; Webber/Douglas Academy in London, England; Mask Technique with Julie Taymor, and The Suzuki Technique with The Tadashi Suzuki Company in Toga-mura Japan. He has appeared on Broadway, off-Broadway, in regional theaters across the US, and has performed internationally in Japan, England and France. His New York Credits include: Tom/Jamaican Waiter in Prelude to a Kiss (Circle Rep. and at the Helen Hayes Theater on Broadway directed by Norman Rene); Off-Broadway; Roscoe in Black Eagles (directed by Ricardo Kahn at Manhattan Theater Club), Casbeque in The Caucasian Chalk Circle (directed by George C. Wolfe at the Public Theater); Caliban in The Tempest (directed by Julie Taymor at Classic Stage Company); Curio/Ensemble in Twelfth Night at the Delacorte Theater (directed by Harold Guskin).
Callender is now in his 21st season as an associate artist at the California Shakespeare Theater. Roles at CalShakes include the title roles in Julius Caesar and Cymbeline, Oberon in A Midsummer Night’s Dream, Capulet in Romeo and Juliet, Orsino in Twelfth Night, Leonato in Much Ado About Nothing, Polixenes in A Winter’s Tale, Navarre in Love’s Labor’s Lost, Bolingbroke in Richard II, Duke Solinus in Comedy of Errors, Laertes in Hamlet, Dukes Frederick and Senior in As You Like It, La Feu in All’s Well That Ends Well, Dr. Chasuable in The Importance of Being Earnest, Vincent Crummels in Nicholas Nickleby, and Roebuck Ramsden in Man and Superman. He also teaches Acting Shakespeare Level One—for adults—each fall for CalShakes.