Will & Jane

Shakespeare, Austen, and the Cult of Celebrity

Aug 06 – Nov 06, 2016
Free

Will & Jane: Shakespeare, Austen, and the Cult of Celebrity takes a close look at these two celebrated authors’ literary afterlives—and finds some surprising parallels. For both, adaptations and parodies in different eras helped popularize their work and make it more approachable (think Shakespeare Undead and Pride and Prejudice and Zombies). Milestone events also increased their fame: for Shakespeare, the much-heralded 1769 Shakespeare Jubilee, and for Austen, a burst of 1990s films and a watershed BBC production. From portraits to porcelain collectibles, branded merchandise, and gravestone rubbings, these two authors have traced intriguingly similar arcs in their posthumous fame. Explore their stories and the nature of celebrity in the 400th anniversary year of Shakespeare's death and the 199th anniversary of Austen’s in 2016.

Reviews

"Lit's Dynamic Duo, Will and Jane, Shared Path to Pop Stardom" (New York Times)

"'Will & Jane' is the Folger's look at how the two authors reflect ourselves" (Washington Post)

 


Part of The Wonder of Will, a Folger celebration of 400 years of Shakespeare

 

 


Professor of English (University of Texas)
Professor of Literary and Cultural Studies (Carnegie Mellon University)

This exhibition is generously supported by:

May Liang
Roger and Robin Millay

Author portraits and biographies play important roles in Will’s and Jane’s reception as literary celebrities, yet their earliest portraits provide a base for imaginative depictions rather than definitive images.

Like many cultural icons, Shakespeare's likeness can be found in a variety of playful formats, including that of a bobble-head figure.

Certain moments in the history of Shakespeare performance quickly became iconic. The popularity of actor David Garrick as Richard III crystalized in the above pose was then repeated in print and porcelain, and even transferred to different actors, such as John Philip Kemble and Edmund Kean. 

The shirt worn by actor Colin Firth during his portrayal of Mr. Darcy as he emerged from the Pemberley pond in the BBC’s 1995 Pride and Prejudice production.

This same pattern of repetition in porcelain occurs in the reception of Austen, although in a different visual media, namely film and television. At Jane’s 200th anniversary, it is the BBC’s 1995 production of Pride and Prejudice, particularly the moment when a wet-shirted Colin-Firth-as- Fitzwilliam-Darcy meets our desiring gaze, that has been singled out to celebrate and duplicate. This film moment has been spoofed, imitated, and reworked in different media and visual formats—even restaged with different actors stepping into Firth’s place.

Playbill for Merchant of Venice  Drury Lane Theatre, March 5, 1814

Jane Austen experienced Shakespeare’s early rise to celebrity status first-hand. She read and admired his work, referenced him in her fictions, and saw his plays performed on London’s stage. This playbill on display announces the performance of The Merchant of Venice that Jane saw on 5 March 1814.

Relics were often created for sincere admirers of authors such as Shakespeare and Austen. This 18th-century goblet is part of a matching set made from the wood of a mulberry tree planted by Shakespeare. The inscription on the silver rim reads "Made from a piece of Shakespeare’s mulberry tree by Mr. Sharpe [sic] silversmith [sic] Stratford on Avon." 

It is not a new phenomenon for literary fans to travel to locations related to their favorite author. This 19th century print depicts popular Shakespeare-related sites, including the Tomb of Shakespeare, Charlecote Hall, The old font, Shakespeare's school, Shakespeare's house, New Place, Fulbrooke Deer Barn, Church of the Holy Trinity, Globe Theatre, Shakespeare's cliff, Anne Hathaway's cottage, and Herne's Oak.

A collection of household items inspired by Shakespeare and Austen

Will and Jane’s images and characters have been copied and repeated on domestic objects, bringing the two authors into daily household functions.The use of Will to roll out pastry, hold cider, or blow the fire in the 18th century or of Jane to cut cookie dough, sprinkle salt at the table, or dry dishes in the 21st are acts similarly motivated by a long-standing desire to participate in celebrity culture.

 

For many, the love of Jane Austen does not stop at the printed word. These salt and pepper shakers are made to look like Mr. Darcy and Elizabeth Bennet, two of the most beloved characters from Pride & Prejudice.

Combining fashion and fandom, this scarf features Jane Austen's family tree.

Porcelain figurine of William Shakespeare and Porcelain Figurine of Jane Austen

Over the course of the 18th century, cheaper porcelain manufactured in Europe put collectibles newly in the hands of middle-class consumers. Figures of Shakespeare, his characters, and popular actors in Shakespearean roles were a part of this new and rapidly expanding market in souvenirs.  By the 20th century, collectible porcelain was a thriving niche ready and waiting for figurines of Jane and her characters.

This grave rubbing of the inscription on Jane Austen's tomb was taken by co-curator Janine Barchas with special permission. The rubbing here reads:

"In Memory of

JANE AUSTEN,

youngest daughter of the late

Revd GEORGE AUSTEN,

formerly Rector of Stevenson in this county

she departed this Life on the 18th of July 1817

aged 41, after a long illness supported with

the patience and the hopes of a Christian."

Meet the Curators

Professor of English (University of Texas)

Janine Barchas is Professor of English at the University of Texas, where she teaches Austen in Austin. Her publications include Graphic Design, Print Culture, and the Eighteenth-Century Novel (2003), which won the SHARP DeLong prize, and Matters of Fact in Jane Austen: History, Location, and Celebrity (2012). She is also the creator of What Jane Saw (www.whatjanesaw.org), an online gallery that reconstructs two Georgian art exhibitions attended by Jane Austen—including the first-ever Shakespeare museum.

Professor of Literary and Cultural Studies (Carnegie Mellon University)

Kristina Straub is Professor of Literary and Cultural Studies at Carnegie Mellon University where she teaches 18th-century British literature, gender studies, and performance theory. Her publications include Divided Fictions (1986, on the novelist Frances Burney), Sexual Suspects (1991, on 18th-century actors) and Domestic Affairs (2008, about servants and masters in 18th-century literature). She is currently editing a new anthology and performance sourcebook of Restoration and 18th-century drama, and writing about 18th-century theatrical performances based on Shakespeare’s plays.

Read, Watch, Listen

Read

Read a series of blog posts by the Will & Jane curators on Shakespeare & Beyond:

Watch

Catch a performance of Sense & Sensibility, a new adaptation of Austen's classic novel, onstage at Folger Theatre through Nov 13. Attend a director's talk or post-show cast discussion, and take advantage of a free lesson in English country dancing.

Listen

Listen to a Shakespeare Unlimited podcast episode in which Janine Barchas, co-curator of Will & Jane, talks about the 18th-century Shakespeare craze and the recent online reconstruction of the Boydell Shakespeare Gallery.

Take a Quiz

Test your knowledge of Jane Austen and William Shakespeare with this quiz.