Theater and performance

Thanks to everyone who registered a guess for this month’s Crocodile Mystery and congratulations to those of you who answered correctly! As many of you pointed out, the oddity in the final disposition of characters is Macbeth’s full-bodied presence on…

Thanks to those who registered your guesses on our most recent Crocodile Mystery. All of the guesses gazed upward, when the answer actually lay underfoot. While these strange designs resemble theatrical lighting effects, they are, in fact, designs for stage…

John Masefield has a burning question he needs answered. Literally. Writing from his home Hill Crest in Boar’s Hill, Oxford, the Poet Laureate asks theater production veteran Allan Wade a crucial question about staging his home theatrical production of Macbeth.1…

A few of favorite quotes from some of the directors we’ve had on the Folger’s Shakespeare Unlimited podcast since 2014.

Folger Resident Dramaturg Michele Osherow explores the history of ‘The Merry Wives of Windsor,’ the wit of its wives, and the far-out 1970s setting of Folger Theatre’s production.

Costume designer and long-time Folger collaborator Mariah Anzaldo Hale’s guides us through the costume journey of Constanze Weber through the first act of the play.

Director Kenny Leon’s production of Much Ado About Nothing mesmerized audiences during the Public Theater’s Shakespeare in the Park (now available on PBS’s Great Performances). Leon shares how he approaches a new production and how Shakespeare’s comedies speak to our present moment.

Wig designer Dori Beau Seigneur takes us through the process of fashioning the fabulous hair currently being sported on the Folger stage.

Explore Folger Theatre’s gallery for a sneak peek at Amadeus’ first read-through.

Folger Theatre’s ‘1 Henry IV’ closes on Sunday. We celebrate the end of this “must-see” production by chatting with actor and fight choreographer U. Jonathan Toppo.

Folger Resident Dramaturg and UMBC Associate Professor of English Michele Osherow takes us inside Folger Theatre’s unique production to explore why Shakespeare’s romantic comedy is so perfectly suited to DC in the 1930s.

Before we say good-bye to this extraordinary ‘Confection,’ explore how costume designer Karen Young created the look of this lavish feast for the senses.