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Theater and performance

You Can Dance If You Want To: Movement in Antony and Cleopatra
Folger Spotlight

You Can Dance If You Want To: Movement in Antony and Cleopatra

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Folger Theatre

Actor and movement director John Floyd speaks to the Spotlight about how he worked with the cast to create the production’s acclaimed choreography.

As the (Ancient) World Turns: Tony Cisek on designing Antony and Cleopatra's set
Folger Spotlight

As the (Ancient) World Turns: Tony Cisek on designing Antony and Cleopatra's set

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Folger Theatre

Scenic designer Tony Cisek speaks to The Folger Spotlight about his inspirations for Antony and Cleopatra’s set and returning to an in-the-round configuration.

Dramaturg's Notes: Antony and Cleopatra
Folger Spotlight

Dramaturg's Notes: Antony and Cleopatra

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Folger Theatre

Before you come see the show, read Folger Dramaturg Michele Osherow’s thoughts on how Shakespeare’s tragedy encompasses the public and private desires of history’s infamous pair of lovers.

Behind the Camera with Antony and Cleopatra
Folger Spotlight

Behind the Camera with Antony and Cleopatra

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emma poltrack

The sultry D.C. summer is winding down, but things are just heating up at Folger Theatre where we’re preparing for our first show of the season: Shakespeare’s Antony and Cleopatra. 

Timon of Gotham?: An Interview with set designer Tony Cisek
Folger Spotlight

Timon of Gotham?: An Interview with set designer Tony Cisek

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Folger Theatre

With lights by Andrew F. Griffin and projections by Francesca Talenti, Tony Cisek’s striking scenic design for Timon of Athens has been wowing audiences since performances began on May 9. Folger Spotlight spoke to Cisek to find out more about…

Talking 'Timon' with Resident Dramaturg Michele Osherow, Part II
Folger Spotlight

Talking 'Timon' with Resident Dramaturg Michele Osherow, Part II

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Folger Theatre

We explore how Osherow has been working with the cast to explore Shakespeare’s language through the rehearsal process.

Talking 'Timon' with Resident Dramaturg Michele Osherow, Part I
Folger Spotlight

Talking 'Timon' with Resident Dramaturg Michele Osherow, Part I

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Folger Theatre

Read the first part of our conversation here to find out what kinds of discoveries are being made in the rehearsal room, and then check back next week to learn more about the language of this Shakespearean tragedy.

'Timon of Athens' First Rehearsal
Folger Spotlight

'Timon of Athens' First Rehearsal

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Folger Theatre

The last production of Folger Theatre’s 25th anniversary season began on Monday with the first rehearsal and read-through of Timon of Athens. What can we expect from this rarely performed play? Let’s take a peek inside the room and see what we…

Costumes in 'As You Like It'
Folger Spotlight

Costumes in 'As You Like It'

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Folger Theatre

Were it not better, Because that I am more than common tall, That I did suit me all points like a man? Much of the love-lorn humor in As You Like It comes from Rosalind’s male disguise, but she’s not…

Pistachios Versus Verses: Props in 'As You Like It'
Folger Spotlight

Pistachios Versus Verses: Props in 'As You Like It'

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Folger Theatre

Love may bloom naturally in the Forest of Arden, but the magic of theater requires a great deal of time and work from the people behind the scenes. Folger Spotlight caught up with Props Master Tony Koehler to find out what…

Dramaturg's Notes: As You Like It
Folger Spotlight

Dramaturg's Notes: As You Like It

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Folger Theatre

As You Like It has begun performances and has already garnered rave reviews. To tell you a little bit more about this timeless play, Folger Resident Dramaturg Michele Osherow shares her views on how it embodies love in all its ludicrous glory.…

All The World's On the Page: Acting from the First Folio
Folger Spotlight

All The World's On the Page: Acting from the First Folio

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Folger Theatre

Our current exhibition, First Folio! Shakespeare’s American Tour comes to a close this weekend. While we all know how important the Folio is as a collection of Shakespeare’s plays, did you also know it can be a valuable tool for…

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