King John

By William Shakespeare
Directed by Aaron Posner
October 23 – December 02, 2018
Folger Theatre
TICKETS:
$42-$79

Secret deals. Threats of mass destruction. Shifting loyalties.
What a difference 800 years makes.

He may be king, but unlike his older brother Richard the Lionheart, John has no stirring nickname, and everyone from the Pope to his own court seem to think his crown is up for grabs. Taking his audience back to the time of the Magna Carta, Shakespeare slyly commented on the politics of his own day. Now director Aaron Posner brings us this toxic brew of ambition and indecision in this rarely staged but timely history. With Kate Eastwood Norris as Philip the Bastard and Holly Twyford as Constance, Arthur’s tragic mother.

The medieval court of King John is transported to our stage through Andrew Cohen's scenic design. Scroll down this page for a sneak peak.

Visit Folger Digital Texts to view a detailed synopsis and download a free copy of the full Folger Shakespeare Library edition of King John.



Consider joining us for a special performance of King John to enhance your theater-going experience.


Folger Theatre gratefully acknowledges the kind support of our sponsors. For a full list of sponsors for King John, please visit our Sponsors page.

Who's Who

The Dauphin
John, King of England
Austria, Salisbury
Queen Eleanor of Aquitaine, Bigot
Arthur
Blanche of Spain
Philip Faulconbridge, the Bastard
Chatillion, Cardinal Pandulph
Philip, King of France, Melun
Robert Faulconbridge, Citizen, Peter of Pomfret, Prince Henry
Lady Faulconbridge, Constance, Pembroke
Hubert
Director
Scenic Design
Costume Design
Lighting Design
Original Music and Sound Design
Resident Dramaturg
New York Casting
Folger Casting
Production Stage Manager
Assistant Stage Manager

Scenic design for King John by Andrew Cohen.

Folger Theatre's production is part of Shakespeare in American Communities, a national program of the National Endowment for the Arts in partnership with Arts Midwest.




















This project was supported by the DC Commission on the Arts and Humanties, which receives support from the National Endowment for the Arts.