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Business Arrangements



Acting companies and theaters of Shakespeare's time were organized in different ways. For example, Philip Henslowe owned the Rose and leased it to companies of actors, who paid him from their takings. Henslowe would act as manager of these companies, initially paying playwrights for their plays and buying properties, recovering his outlay from the actors.

 

With the building of the Globe, Shakespeare's company, however, managed itself, with the principal actors, Shakespeare among them, having the status of "sharers" and the right to a share in the takings, as well as the responsibility for a part of the expenses. Five of the sharers, including Shakespeare, owned the Globe.

 

As actor, as sharer in an acting company and in ownership of theaters, and as playwright, Shakespeare was about as involved in the theatrical industry as one could imagine. Although Shakespeare and his fellows prospered, their status under the law was conditional upon the protection of powerful patrons. "Common players"—those who did not have patrons or masters—were classed in the language of the law with "vagabonds and sturdy beggars." So the actors had to secure for themselves the official rank of servants of patrons. Among the patrons under whose protection Shakespeare's company worked were the lord chamberlain and, after the accession of King James in 1603, the king himself.

 

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From the New Folger Library Shakespeare editions, edited by Barbara A. Mowat and Paul Werstine. © 2005 Folger Shakespeare Library

 

“Shakespeare’s Theater” is one of several introductory essays included in the New Folger Library Shakespeare editions. Edited by Barbara Mowat and Paul Werstine, the Folger editions of Shakespeare’s plays include essays on the plays and their publication and on Shakespeare’s life, theater, and language. Each provides a thoroughly re-edited edition of the play, printed with explanatory notes and images from the Folger collection on the facing pages. Every edition includes an afterword by an outstanding modern scholar, as well as other notes and features.

 

 
S. Harding. Richard Burbadge. Watercolor, 1834



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