Theresa Rebeck is a prolific writer with success spanning theater, television, film, and literature. She has been named one of the 150 Fearless Women in the World by Newsweek and The New York Times has referred to her as “one of her generation’s major talents.” Broadway: Seminar, Mauritius, Spike Heels, Bad Dates, Dead Accounts, Omnium Gatherum (Pulitzer Finalist, co-written with Alex Gersten). Off-Broadway: The Understudy, The Scene, The Water’s Edge, Loose Knit, The Family of Mann, Collection and Our House, The Butterfly, View of the Dome. Regional: San Francisco Playhouse: Seared; Denver Center for the Performing Arts: The Nest; Dorset Theatre Festival: The Way of the World; Mark Taper Forum/Primary Stages: Poor Behavior. Television: Smash (creator), Dream On, Brooklyn Bridge, L.A. Law, American Dreamer, Maximum Bob, First Wave, Third Watch, Canterbury’s Law, Smith, Law and Order: Criminal Intent and NYPD Blue. Film: Poor Behavior, Trouble (upcoming), Harriet the Spy, Gossip, Sunday on the Rocks, Seducing Charlie Barker. Novels: Three Girls and Their Brother, Twelve Rooms With a View, I’m Glad About You. Awards: National Theatre Conference Award, William Inge New Voices Playwriting Award, PEN/Laura Pels Foundation Award, IRNE Award for Best New Play, Eliot Norton Award, Writer’s Guild of America Award for Episodic Drama, Hispanic Images Imagen Award, Peabody Award.