"If music be the food of love, play on." (Twelfth Night, 1.1.1) Explore blog posts, podcast episodes, and items from the Folger collection that shed light on the characters, plot, themes, and history of Twelfth Night.
Jump directly to these Twelfth Night resources:
- Plot synopsis
- Character map
- Related podcasts
- Famous quotes
- Early printed texts, images, and resources for teachers
Twelfth Night—an allusion to the night of festivity preceding the Christian celebration of the Epiphany—combines love, confusion, mistaken identities, and joyful discovery.
After the twins Sebastian and Viola survive a shipwreck, neither knows that the other is alive. Viola goes into service with Count Orsino of Illyria, disguised as a young man, "Cesario." Orsino sends Cesario to woo the Lady Olivia on his behalf, but Olivia falls in love with Cesario. Viola, in the meantime, has fallen in love with Orsino.
At the estate of Lady Olivia, Sir Toby Belch, Olivia’s kinsman, has brought in Sir Andrew Aguecheek to be her suitor. A confrontation between Olivia's steward, Malvolio, and the partying Toby and his cohort leads to a revenge plot against Malvolio. Malvolio is tricked into making a fool of himself, and he is locked in a dungeon as a lunatic.
In the meantime, Sebastian has been rescued by a sea captain, Antonio. When Viola, as Cesario, is challenged to a duel, Antonio mistakes her for Sebastian, comes to her aid, and is arrested. Olivia, meanwhile, mistakes Sebastian for Cesario and declares her love. When, finally, Sebastian and Viola appear together, the puzzles around the mistaken identities are solved: Cesario is revealed as Viola, Orsino asks for Viola’s hand, Sebastian will wed Olivia, and Viola will marry Count Orsino. Malvolio, blaming Olivia and others for his humiliation, vows revenge.
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Music in Shakespeare
In an interview with musicologist Ross W. Duffin about the songs in Shakespeare's plays, we learn about his research and discoveries about the song "Come Away, Come Away Death," from Twelfth Night.
Emma Smith: This is Shakespeare
In a conversation about her book This is Shakespeare, Oxford professor Emma Smith discusses several plays, including Twelfth Night.
If music be the food of love, play on.
What great ones do the less will prattle of.
Many a good hanging prevents a bad marriage.
O Time, thou must untangle this, not I.
It is too hard a knot for me t’ untie.
Not to be abed after midnight is to be up
Dost thou think, because thou art virtuous, there
Shall be no more cakes and ale?
I have no exquisite reason for ‘t, but I have
reason good enough.
I am all the daughters of my father’s house,
and all the brothers too.
She never told her love,
But let concealment, like a worm i’ th’ bud,
Feed on her damask cheek.
…like Patience on a monument…
Some are born great, some achieve greatness,
and some have greatness thrust upon ‘em.
Foolery, sir, does walk about the orb like the sun;
it shines everywhere.
Early printed texts
Twelfth Night appeared in print for the first time in the 1623 First Folio, and that text is the basis for all subsequent editions.
Picturing Twelfth Night
As part of an NEH-funded project, the Folger digitized thousands of 18th-, 19th-, and early 20th-century images representing Shakespeare’s plays. Some of these images show actors in character, while others show the plays as if they were real-life events—telling the difference isn't always easy. A selection of images related to Twelfth Night is shown below, with links to our digital image collection.
For more images of Twelfth Night, see our digital image collection. (Because of how they were cataloged, some images from other plays might appear in the image searches linked here, so always check the sidebar to see if the image is described as part of a larger group.)